Musical Compositions and First Performance
 

Abbreviations
G.R.M.          and later INA-GRM: Groupe de Recherches Musicales (Group of Musical Investigation), Paris.
G.M.E.B.      Groupe de Musiques Expérimentales de Bourges (Bourges's Group of Experimental Music), and later - IMEB - France.
A.C.I.C.        Association pour la Collaboration des Interprètes et  des Compositeurs (Association for a Collaboration between Performers and Composers) Paris.
G.E.R.M.      Groupe d'Etude et Réalisation Musicales (Groupe of Study and Musics Realization), Paris.
 
Mer d’Azov
Electroacustic music – duration 3'30'' – stéreo - G.R.M. Commission 1965 -  France (studient work) – Paris, France.

Demeures Aquatiques
(Waterish Dwelling): electroacustic music – duration 7' - 4 tracks - G.R.M. Commission  1967 -  First Performance: Avignon's  Festival, August 1968, France.
                                           
Médisances
(Gossips): electroacustic music - duration 7' - 4 tracks - G.R.M. Commission 1968 -  First Performance: Experimental Music Concert at the french Radio, january 1969,    Paris, France.

L'Orvietan
Electroacustic and electronic music - duration 13' - 4 tracks - G.R.M. Commission  1970 -  First Performance: Sigma 6's Festival, november 1970, Bordeaux, France.

Etude aux sons flegmatiques
(Phlegmatic sounds's essay): electroacustic music - duration 11' - G.M.E.B. Commission  971 -  First Performance: Sigma 7's Festival, november 1971, Bordeaux, France.

Le Recit
(The Narration): vocal and africans instrument's music on tape - duration 10' - First Performance : Broadcast ''Music of our time'', France Culture, december 1971, France.
voice : Dane Belany

Siesta Blanca
(White Siesta): electroacustic music - duration 14' - G.M.E.B. Commission  1972 - 1° Version  First Performance : Experimental Music's 3° International   Festival, june 1972, Bourges, France - 2° Version, First Performance: ''Musik Film Dia Licht Festival'' ,29, 30, 31 august and 1, 2  september 1972 – Munich - Germany.

Canto del Loco
(The Mad's Song): electronic music - duration 12'30'' - G.M.E.B.   Commission  1974 - 1° Version First Performance: Experimental Music's  4° International estival, mai 1974, Bourges, France - 2° Version First Performance : Ripert Center, New York   february 1975, U.S.A.

Tierra Quebrada
(Broken Land): for violin and electroacustic music - duration 15' - French    State Commission for the A.C.I.C. 1976 - First Performance: A.C.I.C.'s  Concert,  december    1976, Paris, France - violin : Manuel Enriques (composer)

Echos
(1978) vocal music for tape (electroacustic) - duration 8'30'' - First Performance:    G.E.R.M.'s Concert ''Manifest'', january 1979,  Paris, France - voice : Mercedes Cornu

Jeux des Rondes
(Rounds's Games): for piano and tape duration 20' - French State    Commission for the G.E.R.M. 1980 -  "Version, First Performance: G.E.R.M.'s Concert 'Manifest'', january 1982, Paris - piano : Gerard Fremy - 2° Version, First Performance: G.M.E.B.'s  Concert, march 1984, Bourges, France - piano : Jean-Pierre Dupuy

Boucles, rosettes et serpentins
(Rings, rosettes and serpentines): electroacoustic music -duration 12'50'' - G.M.E.B. Commission  1982 - First Performance: G.M.E.B.'s  Concert in Manosque, january 1983, France.

Cercles de Rondes
(Rounds's Circles): Jeux des Rondes's tape music version, 1982 - duration 18'37'' - First Performance: ''G.R.M.'s Cycle Acousmatique'', march 1983, Paris, France.

La Calesita
(The Training of horses): instrumental for 4 flutes and 1 violin - duration 9' - Pedagogical Franch State Commission for the Blanc-Mesnil's Municipal Conservatory of  Music 1982 - First Performance  (1 mouvemet): june 1983, Paris.

Bruissements
(Buzzing): for oboe and electroacustic music - duration :14'30'' - French State     Commission for the A.C.I.C. 1982 – First Performance: A.C.I.C.'s Concert at the I.R.C.A.M., march 1983, Paris, France.
                                                         
Arabesques autour d'une corde raide
(Arabescs around a rope): for clarinette - duration 10’ - 1984 - First  performance : l'A.C.I.C’s  Concert the  23 / 09 / 1988, Paris - clarinette : Reynald Pasquier

Passacaille déboitée pour un lutin
(dislocated  « passacaille » for an elf) for luth or  guitare and tape - durée 11' - l'A.C.I.C. Commission 1984 - 1° version First Performance: A.C.I.C.'s Concert , the 27 / 10 / 1984, Paris, France - luth : Michel Amoric

Petit Poucet Magazine
(Tom Tumb Magazine)
electroacoustic, electronic and instrumental music - duration 18'35'' - G.M.E.B. Commission 1985 - First performance: Experimental  Music’s 15°International Festival, the 15 / 06 / 1985, Bourges, France - voice : Emanuelle Vaux

The U.F.O. forest
Electroacoustic and electronic music - duration 14' -1985 - G.M.E.B. Commission  1986 - First  performance: Experimental  Music’s 16°  International Festival, the 6 / 06 / 1986, Bourges, France.

 L'Autre ... ou le chant des marécages
(The Other or the swamp’s song) - electroacustic  music - duration 17'30'' - l'A.C.I.C. Commission 1987 - First  performance :  A.C.I.C.’s  Concert for Blaise Cendrars’s Centenary at the Centre Georges Pompidou, the 17 / 09 / 1987, Paris, France.

Tata, tocame la toccata
(Grand father, play the toccata) for piano - duration 9' - The pianist  Andrea Cohen Commande 1990 - First performance: French Society of Contemporany  Music,  the 25 / 06 / 1990, Paris, France.

Souffle d'un petit Dieu distrait
(Breath of a distracted little God): electroacoustic and electonic music (first piece done with computer) - duration 13' - G.M.E.B Commission 1988
1°version First performance: Experimental Music’s 19° International Festival, the 10 / 06 /1989, Bourges, France.
2° Version : 1997, First  performance: Experimental  Music’s 27° International Festival, the 7 / 06 / 1997, Bourges, France.

Remolinos
(Whirings): Instrumental music (flute, clarinet, piano, violin, alto et cello) - duration 15' - French State Commission for Solars Vortices and A.C.I.C. 1990 - First     performance: Solars Vortices Concert, the 15 / 12 / 1990, Paris, France.

Mirage Contemplatif ?
electroacoustic and electronic music - duration 15'55''- G.M.E.B   Commission 1991 -  1° version First  performance: Experimental  Music’s  22° International   Festival, the 10 / 06 / 1992, Bourges, France.

Rios del sueño
(Rivers of the dream) duration : 33’34’’ - 1998 / 1999 - First Performance : « Portraitkonzert » Elektroakustische Musik, the 16 / 11 / 1999, att he Schweizeischen Zentrum für Computermusik statt, Zurich, Suisse.
 

 a) Rio de los pájaros 

(The bird’s river) : electroacoustic music - duration 12'07'' - 1998 - First  performance: 5° Festival « Acousmatique International « L’Espace du Son » of Musiques & Recherches, the 20 / 11 / 1998, Bruxelles, Belgique.
    
b) Río de los pájaros escondidos 
(The river of the hidded birds) : electroacoustic music, duration 11’07’’ - 1999 - INA-GRM Commission 1999 - First  performance: XXI° Cycle  Acousmatique "Multiphonies" , the 17 / 04 / 1999, Paris, France

c) Río de los pájaros azules 
(The river of the bleu birds) : electroacoustic music - duration 10’20’’ - 1999 - First performance: « Portraitkonzert » Elektroakustische Musik, the 16 / 11 / 1999, at the Schweizerischen Zentrum für Computermusik statt, Zurich, Suisse.

Jazz’t for Miles
Electroacoustic music - duration  5’10’’ - First  performance:  Experimental  Music’s 22° International Festival, the 12 / 06 / 2001, Bourges, France.

La Ba-balle du chien-chien à la mé-mère
Electroacoustic music - duration  11’10’’ - 2001 G.M.E.B. Commission 2001 - First performance: Experimental Music’s 22° International Festival, the 12 / 06 / 2001, Bourges, France - dog : Timothé

Tangatita para el Maestro 
Electroacoustic music - duration  1’05’’ - For Lucien    Goethals’s 70th anniversary - First performance: Het Spectra Ensemble the 15 / 09 / 2001, Belfort, Belgique.

Vivencias : electroacoustic music - duration  11’16’’ - 2001 - Musiques & Recherches    Commission 2001 - First  performance: 8° Festival « Acousmatique International    « L’Espace du Son »  of Musiques & Recherches, the 7/ 10/ 2001, Bruxelles, Belgique.

Cantos de antes (Far away songs) : electroacoustic music - duration 10’ - 2002 - Association Pour la Recherche et l’Expérimentation Musicale (APREM) Commission 2001, Nevers, France - voices : Simone Rist and Roger Cochini

Les chemins du vent des glaces
(The ways of the ice-field’s wind) : electroacoustic music - duration 10’35’’ - I.M.E.B. Commission 2002 – First performance: 32° Bourges’s International Festival of Expermental Music, the 07 / 06 / 2002, France.

Murmureln
(whispering) – electroacousitc tango – duration 3’56’’ – 2003   Deutschlandradio Berlin commission, 2003 – First performance: Flango,   Sonic Arts   Lounge,the  23-03- 2003, Berlin, Allemagne.

Le solfegiste solfegé
Electroacoustic music,  duration 10’04’’ – 2003 –  Frensh State  commission for the « Muse en Circuit » 2003 – First performance: Concert Multimedia de  ’INA-GRM the 24/05/2003, Paris, France - voice : Pierre Schaeffer

Dans un point infini
( In an infinite point): electroacoustic music – duration 5’25’’ – 2005 - l’INA-GRM commission. First performance: l’INA-GRM’s Akousma mutiphonies   concert, the 8/01/2006, Paris, France - violin : Veronica Kadlubkiewicz

Sourires d’Automne (Fall’s smiles): electroacoustic music – duration : 4’ – For the 80 th   Francis Dhomont’s anniversary - . First performance: sound garland at the Musiques &  Recherche’fall festival 2006, Bruxels, Belgium - voice : Francis Dhomont

L’autre rive
(The other shore) – electroacoustic music – duration : 17’20’’ – 2007 - Frensh State commission for the IMEB – First Performance : 37° Synthèse IMEB Festival,
the 07/ 06 / 2007, Bourges, France - percussion : Richard Aratian

Deux dents dehors
(Tow teeths outside): electroacoustic music – duration : 3’58’’ - For the    80 th  Bernard Parmegiani’s anniversary - First performance: sound garland at the Musiques & Recherche’fall festival 2007, Bruxels, Belgium.

Un fil invisible
(An invisible wire): electroacoustic music – duration : 18’ –2009 –  l’INA-   GRM commission -. First Performance: Multiphonies the 14-02-2009, Paris, France.

Pas de 3 … ou plus
(Duo for 3… and more) - electroacoustic music – duration : 8’45’’ - Miso Music’commission - First Performance :1° version : Musica Viva Festival the 19 / 09 /2009.
Lisboa,  Portugal – Definitive versions 2010.

Flotando
(Floating) - electroacoustic music – duration : 2’35’’ – For the 25 the  Miso Music’s anniversary , Miguel and Paula Azguime -First Performance : the 15 / 04 /2 010, Lisboa, Portugal - voice : Miguel Azguime

Vuelo de signeos y remolinos
(Flights of signs and whirlwind) : electroacoustic music – duration : 2’50’’ - Sound garland of miniatures for the  peinter Yana  Kruger –First  Performance : the 10/  09 / 2010, Cordoba, Argentina - flute : Hernan Gomez

Les retrouvailles
(We meet again) : electroacoustic music – duration : 3’03’’- 2010 – For Vande Gorne’s 65th anniversary – First Performance : Musiques & Recherche concert the
9/ 05 / 2011, Bruxels, Belgium.

Les larmes de l’inconnu
(Tears of the unknown) : electroacoustic music – duration : 8’27’’ Frensh  State commission for INA-GRM - First Performance : Multiphonies the 22 /01 / 2011, Paris, France.